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Vincent Bach
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Cornet
Mouthpieces

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Vincent Bach Baritone Horn Mouthpieces - 350-

Vincent Bach Baritone Horn Mouthpieces - 350- Vincent Bach Baritone Horn Mouthpieces - 350-

Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today.  ⇒⇒To Product 

Steven Mead Baritone Horn Mouthpieces

Steven Mead Baritone Horn Mouthpieces Steven Mead Baritone Horn Mouthpieces

Will fit all modern baritones. The first range of mouthpieces designed by the international euphonium virtuoso, Steven Mead. Manufactured for today's instruments, with design features which result in a tone, comfort and all-round performance which will delight all those who try them.  ⇒⇒To Product 

On Buying a Brass Mouthpiece - What the Experts Say

Denis Wick:"The brass player’s mouthpiece is the most important piece of equipment he or she possesses. It is as personal as shoes and should be fitted as carefully. Instruments need mouthpieces which bring out their best characteristics and players need mouthpieces that will help them realise their full potential. There is no easy answer to this complex requirement. No two players are alike and their requirements from the same instrument can be wildly different. Care taken in choosing the right mouthpiece for instrument, type of music and player can make the difference between steady progress, leading to ultimate success and wasted effort leading to constant frustration. Brass instruments are hardly ever made with really accurate keyboard-precise intonation. Manufacturers usually try to find the best intonation compromise by the intricate matching of the internal tapers. The natural harmonics of any tube are governed by natural laws and can never be perfectly in tune as western man hears the notes. A well designed mouthpiece should assist the compromise and make the instrument more usable. The perfect match can give perfect results. The best players can, with careful training, produce intonation which transcends the narrow confines of equal temperament."
Vincent Bach:"Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities."
Vincent Bach on choosing a mouthpiece:"When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a player's embouchure, attack, tonguing and endurance. Professional musicians and advanced students prefer the musical results of large mouthpieces, such as the Bach 1B, 1C, 11.4C, 11.2B, 11.2C, 21.2C, 3C, which provide a maximum volume of tone with the least amount of effort. By opening up the lips so that they do not touch, the larger mouthpiece produces a clearer, purer tone. The large cup diameter also allows a greater portion of the lip to vibrate, producing a larger volume of tone, and keeps a player from forcing high tones by encouraging the correct functioning of the lip muscles. However, a student may find a medium-sized mouthpiece suitable. Do not select a certain mouthpiece because another player uses it. Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure."

Mouthpiece Comparison Chart for DW and VBI

Brass Mouthpieces - Rims, Shanks and Chambers

Brass Mouthpieces - Rims, Shanks and Chambers

Denis Wick and Vincent Bach Brass Mouthpieces - A Brief Guide to Brass Mouthpieces

Mouthpieces come in many different shapes and sizes and can present a minefield to any player wanting to change mouthpiece or buy for the first time.

Brass Mouthpieces - General

Brass Mouthpieces - General

The physical shape of the brass mouthpiece has always been of great interest; manufacturers and players claim that the various parts - rim, cup, throat, backbore and shank - affect tone and playability. However, factors such as the shape and size of players’ mouths, their embouchure, and perception of sound should also be taken into account.

According to Vincent Bach, the "selection of a satisfactory mouthpiece presents to the average player an immeasurably greater problem than the choice of an instrument".

The mouthpieces of brass instruments have a "rounded" section that fits against the lips (the rim), an "enclosed volume of air" (cup diameter and depth), a narrow constriction (throat and shank), and a taper that widens out to meet the bore of the body of the instrument (the back bore). The enclosed volume may be approximately conical, as in many horn mouthpieces, or cup shaped, as in most other brass instruments (see left and below).

Brass Mouthpiece Parts Labelled

Brass Mouthpiece Parts Labelled

It is useful to know, especially when ordering, what the letters and numbers ascribed to each mouthpiece mean, how they affect play and to whom they are suited. This again is a minefield, as neither manufacturer nor player seem to agree on what is best generally for any player. They do seem to agree on what the separate parts of the mouthpiece achieve.

Brass Mouthpiece - Rims

Brass Mouthpiece - Rims

Generally, a wide rim increases endurance, a narrow one improves flexibility and range, and a round one improves comfort. While a sharp rim (the sharpness of the inner rim), advocated by most sellers and players, increases "brilliance and precision of attack", a thick rim creates more lip contact and may make high notes easier to reach, and increase endurance. A sharp "bite" may make playing pitch more accurate, but lip control may be limited as may comfort and endurance. A soft bite will make up for this, but may lessen the "clarity of attack".

In both Denis Wick and Vincent Bach mouthpieces a "W" in the name implies a wider cushion rim on the cup. "X" usually signifies a large "cushion" rim. For Denis Wick, "N" (trombone and French horn) means a narrower rim.

Brass Mouthpieces - Throats

Brass Mouthpieces - Throats

A large throat is thought to increase blowing "freedom", volume and tone. It may also sharpen the higher register, and lower register. A smaller size may increase resistance, endurance and brilliance, but flatten the higher register. All standard Bach mouthpieces are made with medium-sized throats No 27 (3.66 mm). Special throat sizes are available. The lower the number assigned, the larger the throat.

Brass Mouthpieces - Cups

Brass Mouthpieces - Cups

A larger cup diameter may increase volume and control, while a smaller one may help to relieve fatigue and weakness. A deep cup may darken tone, while a shallow one may help to brighten it. A large cup will also lower the pitch - thus the importance of matching the cup of the mouthpiece with the pitch of the instrument.

VBI trumpet, cornet and flugel horn mouthpieces are numbered from the largest to the smallest diameters, and from the deepest to the most shallow cup. Numbers progress from 1 (largest cup diameter) to 20 (smallest). Cup depths are notated with letters: "A" is the deepest, standard cups have no letter, and "F" is the shallowest. "V" models, as the letter suggests, have "V" style cups - for these, cup depth is notated with "S" shallow or "M" medium. So 5MV is medium deep V style cup.

Denis Wick mouthpieces work in a similar way: the lower the number, the larger the cup diameter and vice-versa. The lettering system is more idiosyncratic. Generally speaking, "B" is medium depth, "C" is shallow, "E" is very shallow. For flugel horn, "F" is very deep. For trombone, Euphonium and baritone, "A" is deep. For tuba, "S" is shallow cup. So 5BFL flugel horn, is medium-deep cup, large fitting.

Saxophone Mouthpieces Saxophone Mouthpieces
Clarinet Mouthpieces Clarinet Mouthpieces
Trumpet Mouthpieces Trumpet Mouthpieces
Cornet Mouthpieces Cornet Mouthpieces
Trombone Mouthpieces Trombone Mouthpieces
Flugelhorn Mouthpieces Flugelhorn Mouthpieces
Tenor Horn Mouthpieces Tenor Horn Mouthpieces
Baritone Horn Mouthpieces Baritone Horn Mouthpieces
Euphonium Mouthpieces Euphonium Mouthpieces
French Horn Mouthpieces French Horn Mouthpieces
Tuba Mouthpieces Tuba Mouthpieces
Arnolds & Sons Baritone Mouthpieces Arnolds & Sons Baritone Mouthpieces
Denis Wick Baritone Horn Mouthpieces Denis Wick Baritone Horn Mouthpieces
Vincent Bach Baritone Horn Mouthpieces Vincent Bach Baritone Horn Mouthpieces
Baritone Horn Mouthpiece Pouches Baritone Horn Mouthpiece Pouches

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